Review: Heavenly Music of Bach’s Magnificat

by | Nov 29, 2021 | Ambassador thoughts

Bach Akademie Australia

Madeleine Easton – musical director

Friday November 26, 2021
Christ Church St Laurence, Sydney

A large and devoted audience greeted the Bach Akademie Australia in its concert of festive works by Johan Sebastian Bach in the delightful Christ Church St Laurence. Due to Covid restrictions on the arts over the last 18 months or so Sydney has been too long without choral music, so to be able to hear live Bach’s Magnificat and Cantata ‘O ewiges Feuer, O Ursprung der Liebe’ BWV 34 was a treat not to be missed. And indeed, it was a treat with fine music making from all involved.

The assembled solo singers were also the chorus and they started splendidly with the opening chorus of the Cantata. Madeleine Easton seems most at home conducting the enthusiastic chorus movements and it helps wonderfully when you have such luminary musicians in the orchestra. Trumpeters Simon Wolnizer, Owen Morris and Matthew Manchester here and in all the chorus movements were thrilling. Hannah Fraser drew attention in this work with singing of great style and conviction. Here and every time they played flautists Mikaela Oberg and Jessica Lee were charm itself.

The invention that Bach brings to the Magnificat is all the more astonishing as he concisely constructs 12 movements in a work that barely lasts 30 minutes and yet the listener feels totally at ease and unhurried at the unfolding of the music. The powerful chorus sections are balanced by music at times ethereal and then as if it is crafted from a place other than earth.

Special mention must go to Richard Butler’s declamatory and thrilling singing in Deposuit potentes de sede et exaltavit humiles, and Susannah Lawergren, Anna Fraser and Hannah Fraser in the Suscepit Israel, with the delightful oboe playing of Adam Masters, was one of the moments of pure magic in the concert. Heavenly music.

In the music of Bach one needs a great basso continuo group and this concert was well treated with cellist Anthea Cottee, Neal Peres Da Costa, harpsichord and organist Nathan Cox.

I take the unusual step of mentioning the entire orchestra and singing group as they all deserve credit for a wonderful concert.

Chorus
Susannah Lawergren, Anna Fraser, Hannah Fraser, Stephanie Dillon
Richard Butler, Koen Van Stade, Andrei Laptev, Andrew Fysh

Orchestra
VIOLIN – Simone Slattery, Stephen Freeman, Timothy Willis, Meg Cohen, Michele O’Young
VIOLA – Nicole Forsyth
CELLO – Anthea Cottee
DOUBLE BASS – Jaan Pallandi
HARPSICHORD – Neal Peres Da Costa
FLUTE – Mikaela Oberg, Jessica Lee
OBOE – Adam Masters, Kailen Cresp
TRUMPET – Simon Wolnizer, Owen Morris, Matthew Manchester
TIMPANI – Timothy Brigden
ORGAN – Nathan Cox

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About The Author

Alan Holley

Alan has been composing works that have been regularly performed and broadcast in Australia since the mid-1970s and over the past 25 years his music has become increasingly well-known in America and Europe. His trumpet concerto Doppler’s Web (2005) and A Line of Stars (2007) were commissioned and performed in the Sydney Opera House Concert Hall by the Sydney Symphony Orchestra. His music is published by EMI Australia, Allans and Kookaburra Music and recordings of his music have been released on numerous labels.

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